Bill Leak (1956-2017) – ‘waking up with a roaring fatwa’

“It’s a strange world when the most conservative people on earth call themselves ‘progressives’ and no one bats an eyelid” – email from Bill Leak, 4-10-15

“These people are trying to take us down the road to fascism. It might be nice, PC, inclusive, compassionate, non-gender specific smiley-face fascism but it’s still fascism” – email from Bill Leak, 30-10-16

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marx cartoon - Bill Leak

I had the privilege of becoming one of Bill Leak’s friends. We corresponded, sometimes in substantial emails, and chatted by phone. We never met, but wanted to.

I did not agree with all his cartoons, needless to say, but defended his right to express his views via his excellent technical skills, brilliant intellect and wit, powerful way with words and awesome imagination. In terms of political philosophy, I had very little in common with those on the Right who supported him – other than a shared, stated, commitment to free speech.

And I didn’t agree when he would use the term ‘the Left’ to assail his opponents. It was understandable that he would regard the censorious reactionary creeps who John Pilger and Andrew Bolt both agree are ‘the Left’ as actually constituting some kind of left. After all, where is the alternative – a genuine Left – in public discourse? But I managed to point out to him that the Left is not defined by self-labelling, or by the right-wing media, or by some dogmatic formula into which reality is forced, but rather by long-established values and theory, and politics based on the ever-changing real world.

In an article Bill wrote defiantly for ‘The Australian’ after being summoned before the Human Rights Commission, he again attacked ‘the Left’. I emailed him, arguing that “such types have nothing in common with Marx’s rebellious spirit, let alone revolutionary political philosophy, and the term ‘pseudo-left’ and ‘faux-Marxists’ needs to be popularised”.

Bill’s response:

“Thanks SO much, Barry. If ONLY I’d spoken to you while writing it. I squirmed in my chair for a fortnight but couldn’t come up with the terms pseudo left and faux-Marxists and now it’s too late”.

 

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Our contact began when I wrote to him, three or four years ago, to congratulate him on an excellent cartoon in ‘The Australian’, attacking a union boss who had been dog-whistling about ‘foreign workers’. As a leftist influenced by Marxism, I knew there was no such thing as foreigners when it came to the working class. I told Bill. He agreed.

Foreign workers’ cartoon… (112 years) after Livingston Hopkins… 

 Bill Leak cartoon - foreign workers - cropped

 

He had an indomitable sense of humour and wit. Early in 2015, when very serious death threats were made against him by Islamo-fascists, he had to uproot his family and move house and studio at short notice, and adopt a false name. Armed protection had to be arranged for him and his family. His crime had been to portray a figure in a cartoon that resembled Muhammad. It was not gratuitous stuff, but a response to the murder of cartoonists in France.

“Je suis Charlie’. Remember?

Bill’s response to me, in an email was:

“In much the same way that it takes a bit of time before you can laugh at tragedies, it might still take a while before Goong [his wife] and I can laugh about all this upheaval. I feel pretty sure though that it won’t be long before I’ll be able to say, “You remember that day when I woke up with a roaring fatwa? Best thing that ever happened for both of us.”

He continued:

“It is of course galling to read the letters in the paper from people “daring” me to “dare” to draw a cartoon that may offend Muslims in the way Saturday’s cartoon appears to have offended some of the more humourless Christians. It’s not as if I can write a letter myself, demanding they go back and check the cartoon from January 10. I’d love to tell them it resulted in me having to find a new home and live under an assumed name because the people I’d “offended” wanted to square things up by tracking me down and cutting my head off but, for obvious reasons, the less people know about it the better.

 

“Right now the thing that worries me most is the prospect of discovering I’m being targeted by Evangelical Christians, wanting to turn up at my place in a mini-bus and stand around on the front lawn strumming guitars and singing songs at me.

“One fatwa at a time, please!”

 

State censorship and the spirit of ’68…

As someone radicalised in the 1960s, who still regards 1968 as the Left’s finest year and high point internationally, I saw in Bill’s spirit and many of his cartoons the long-lost spirit of that year: its irreverence, rebelliousness, defiance and challenge to the dominant ideology (what we today call ‘Political Correctness’ – yes, it was around back then but in an openly right-wing form).

Much of the censorship back then was undertaken by the state under the guise of clamping down on obscenity. There was an Obscene Publications Act, which banned art and writings that members of a Vice Squad regarded as sufficiently pornographic for them to physically remove them from bookshops. If a magistrate shared the Vice Squad’s view, then the literature was banned.

Publications exposing US war crimes in Vietnam were also banned under the Obscene Publications Act. At high school, I unlawfully distributed the banned pamphlet, ‘US atrocities in Vietnam’ (I think it was called that, from memory).

The attempt at state intimidation and censorship that Bill Leak experienced, and fought, was undertaken via ‘human rights’ legislation: the Racial Discrimination Act. Go figure. And see the Appendix below for Bill’s email of 30-10-16 as to why and how the cartoon sought to support Indigenous people in remote communities and was not racist.

Every society has a dominant sense of what is right and wrong, what is fair comment and what is going too far, but the real question concerns the parameters as set down by the state, by official censorship.

That action could be taken against a cartoonist in the C21st by an arm of the state – and let’s not be coy about it, that’s what the Human Rights Commission is – showed that the parameters are way too broad and censorious. Even the Greens Senator, Nick McKim, stated on national television that he felt Bill’s controversial ‘Dear old dad’ cartoon was exempt under Section 18D of the Racial Discrimination Act (which basically exempts on the grounds of ‘fair comment’).

‘Dear old dad’ cartoon…

leak dear old dad

Bill tapped into a mood of resentment on the part of many people who grew sick and tired of being smugly admonished by their finger-prodding ‘betters’ in the Establishment that they should not do this or that, or think ‘like that’. This is not to suggest that those feeling resentment are always right, they are not, but the culture of Political Correctness has made nuance almost impossible. You either toe the line entirely or you are racist and any variety of ‘phobe’. There is little room in this culture for debate, for the open clash of conflicting ideas. In this context, ‘Being offended’ has become an argument – a case for opposition to something – rather than just a subjective feeling.

Punching up… at the cultural establishment

Those who accused Bill of ‘punching down’ have it upside down. His cartoons in the main were actually punching up, challenging those at the top, the decision-makers, those with great and sometimes dominant influence in the media, the senior bureaucracy, bourgeois academia, the ‘aristocracy of labour’ (or ‘union bosses’ as we described them in the communist party) and mainstream politicians of all stripes who, in general, prefer to deny or obfuscate life-threatening problems and restrict civil liberties. It takes a weird sense of victimhood – a denial of human agency – to see it the other way ‘round.

No other mainstream cartoonist so incisively mocked the Green quasi-religion. His ‘Christine Milne’ sitting self-righteously with the fairies at the bottom of the garden, in vivid unreal technicolour, was among my favourites.

Green fairies at the bottom of the garden…

leak milne

No other cartoonist so effectively challenged economic protectionism. None so willingly revealed the absurdity of all the religions, including the quasi-religious totalitarian impulses of the reactionary pseudo-left. None so courageously stood up to the current brand of ‘clerico-fascism’.

He will be best remembered for his defence of free speech. He stood up to fascists, at great personal cost. To me, regardless of the cartoons with which I disagreed, those qualities make him a cultural hero.

I’m devastated by his death, and disgusted by the attacks he endured from what passes for ‘the left’ today, by the state and by Islamo-fascists.

Bill, thank you for your work, and for having me as a friend. And for your spirit, the best long-term hope for which is the revival of a genuine left.

* * * *

Appendix:

 

Bill’s email of 30-10-16 on why his ‘Dear old dad’ cartoon was not racist:

Sorry I didn’t reply to your previous email that arrived just a few days after I received news I was about to be hauled before the Inquisition. Since then I’ve discovered drawing cartoons and fighting the dark forces of tyranny at the same time is bloody hard work and doesn’t leave me with much time to spare for writing emails.

I have to give my cartoons names when I put them up on the website and the name I gave the one that’s caused all this latest trouble was “Dear Old Dad”. Well, dear old dad is having one hell of an impact. I hoped it would prompt people to take a good, hard look at the plight of aboriginal kids in remote communities but it seems that’s something so confronting they prefer not to look at it at all. So much easier to accuse me of racism for having brought the subject up. It’s pleasing to see, though, that finally the virtue signallers are running out of abuse to hurl at me and the conversation is starting to focus on the little boy in the middle of it and his indescribably sad, desperate life. The cartoon was supposed to be about him after all, for Christ’s sake. Col Dillon (Anthony’s father) [both of Indigenous ancestry] rang me on the morning of the day it was published to thank me and congratulate me for doing it. He knew what I was trying to say and knowing he was glad to see I’d tried to say it clearly was good enough for me. 

I grew up in a place in the bush called Condobolin among aboriginal kids. When I went back there in 2001 (for the first time in over 30 years) it was depressing to see how much worse things were for the indigenous people than they were in the 60s. Intergenerational welfare dependency is like a slow working poison. Killing with kindness is just the ticket I suppose if, deep down, what you really want to do is discreetly eradicate a population while simultaneously parading your compassion and telling everyone how much you care.

To tell you the truth I had no idea dear old dad would also trigger a debate on 18C, let alone that I’d end up at the pointy end of a battle to get it amended or (dare I hope) repealed. Two shitfights for the price of one! Perhaps by now Southpommasane and Triggs might be regretting they decided to try to rid themselves of this turbulent cartoonist. But they did, and I’m going to fight like buggery. It’s just as well I like a blue, Barry.

These people are trying to take us down the road to fascism. It might be nice, PC, inclusive, compassionate, non-gender specific smiley-face fascism but it’s still fascism. And if that’s where we end up the Triggses and Southpossums and all their fellow members of ‘the new monocled top-hatted elite who hold the workers in disdain for their consumerism’ won’t know what hit them. – Bill Leak, 30-10-16

leak bob dylan

 

One thought on “Bill Leak (1956-2017) – ‘waking up with a roaring fatwa’

  1. The following is a letter I sent for publication in The Australian. Whether or not it gets the nod there is in the lap of the editorial gods, but its sentiments also belong on C21st Left.
    Bill Leak’s death last week has been marked by praise for his contributions to and defence of Australian intellectual life (the place of an ambo performing CPR springs to mind) and by his exposure of humourless, authoritarian, sanctimoneousness by a Left that has become a parody of itself. The spite coming from sections of this set in response to his death, cited yesterday in Paul Kelly’s article, displays in full the barrenness and reactionary nature of their politics.
    They are now characteristed by their need to articulate autos de fes (trials of faith) as a way of demonstrating their correctness and moral standing to those who bear uncanny similarities to the Spanish Inquisition or the snobocracy of Victorian England. It is a stance that primarily seeks approval and reassurance. This is why they seek to silence and by so doing they expose an insecurity and emptiness in their politics that Leak so effectively skewered.
    How can we best honour Bill Leak? Start skewering and have fun in the process.

    Like

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