To Topple or not to Topple? … That is the question…

Contradictions lead forward. Statues and other symbolic representations need to expose contradictions, not ignore them – or worse, be made unaware of them. We need to ask questions.

220px-SaddamStatue

(by Tom Griffiths)

A few weeks ago I posted on Facebook a ‘shooting from the hip’ response, reproduced in part at the foot of this post, to the then new wave of statue toppling and attempted statue toppling occurring in the States and the UK, events that were riding the wave generated by the BLM movement and the murder of George Floyd. Not for the first time my guiding spirit in this response was Bertlot Brecht and his poem Questions From A Worker Who Reads, a poem that ‘accompanied’ me on a visit to Toronto Museum.

My gripe then, as it is now, is not so much the fate of individual statues – some ask to go, others to be daubed, scribbled upon or otherwise improved, while others ask for company to have their story told more honestly or completely. My gripe is how the story, events and processes of history remain distorted and misunderstood. And by misunderstood I not only mean in effect, through ignorance, but also through deliberate misrepresentation. This is not simply about who gets wiped from the account, but is about those not even considered important enough to be a part of the account in the first place – Brecht’s builders and masons responsible for the Chinese wall, for Babylon, the Seven Gate of Thebes …And if you are feeling bridled at women not making the account here, this too is another part of the missing story.

Churchill once wrote that history is written by the victor. Aside from the fact that he would and could say that, his individual history and his inherited history of being a ‘card carrying’ member of the British ruling class giving him what I could term bragging rights, he could also have added: and by those who rule or do the ruler’s bidding. Because ‘victor’ not only applies militarily, to interpretive cum ideological spoils of war, but more pervasively to the interpretive and ideological spoils of class warfare, the internal social dramas characteristic of all written history.

There is nothing to be gained in condemning these omissions – what’s happened has happened and the water we once poured into the wine cannot be drained off again, as Brecht once put it – but we need to understand them (to ask questions) to understand the social and economic forces that enabled, or forced, the great majority of people to be pushed off stage, or not even invited on it in anything other than the most servile and ‘meaningless’ of roles. I say ‘meaningless’ with a sense of irony because without them, without Caesar’s cook, Lima’s mason’s, the builders of the Chinese wall etc there would have been no stage for the ruling classes and associated flunkies to perform and preen themselves on in the first place. In saying this I do not intend to gloss over or deny the role or capabilities of particular individuals in history. I do suggest however that they and their achievements need to be seen in context and the context I am focussing on is the enabling, and in this sense the central role of the ignored, the hindmost.

One of the things about modernity is that it allows/enables these formerly ignored players to stick their heads above the parapet and begin to be noticed, both in terms of their emerging individuality and their contributions in all spheres of life. Do we condemn their wiping from the historical record in times past? No, we seek to understand history, the forces at play, what was possible and what needed to be fought for and achieved by future generations. Do we condemn their being ignored, downplayed or written out of recent history or of current events? Yes we do.

So, within this brief contextual framework let me first look at what we should/could do with statues that carry symbolic weight before ending by looking at a late C20th example of how history can be brought to life, enabling the complexities and emergent currents of class related struggle to be displayed in statue form, a form that not only remembers the hindmost, but honors them. And it is worth remembering here that this is not simply about the past, be that distant or recent, because in one hundred, three hundred, a thousand years hence, we will be history and the same questions will not only apply to us then, but, knowing that, apply to us now.

Let’s Topple…?

Above I suggested that some deserve and need to go and I will nominate a few to demonstrate the point. That being said it is not whether they need to go so much as the manner in which they go, a distinction I think is important.. Allow me to demonstrate the point with several examples, including one of a figure I admire. I will start with the most current and work my way back.

John Colston

From being an obscurity outside of Bristol to being catapulted to international infamy in the space of a topple and a dispatch into the river, the British 18thC slave trader’s statue is now where campaigners have long wanted it to be – gone. But not entirely gone. Retrieved from the river the statue’s destiny is now likely to lie as a museum exhibit where curators will have the opportunity of letting viewers know why and how the statue ended up before them. For inspiration on how to make this opportunity transformative they would be hard pressed to go past an exhibit I saw in Toronto Museum (see link above) of three century old native American figures in traditional garb (representatives of a bye gone and defeated past) radically transformed by the addition of a power drill, a camera and tripod and an ipod and the following caption,

We do not want to be depicted in the way we were when we were first discovered in our homeland in North America. We do not want museums to continue to present us as something from the past. We believe we are very, very much here now and we are going to be very important in the future.”

Let us hope the Bristol curators are up to the task; if not, another campaign beckons.

While this is probably where Colston will end up, another option exists. Following Colston’s long overdue demise a resin statue of a black protester was put in his place and then removed by local authorities. It depicted a young black protester, her clenched fist raised. See Spiked article Who Would Black Lives Matter Erect a Statue To. This figure, or something like it, represents a big improvement on both Colston and on nothing at all. But it is incomplete. The irony here – and it’s a big one – is that what is needed to complete this public square statement is Colston’s statue, toppled and at the feet of the protester. This would tell a much more compelling and accurate story and would be a far more powerful statement.

The Arab Spring and the Toppling of Tyrants

While the Arab Spring has been stalled, remaining very much unfinished business, the statues of three former dictators, two of whom, Saadam Hussein and Gadaffi had been deposed, the other, al-Assad, sadly, dying in office before he could be overthrown, were toppled. Good riddance to bad rubbish we can say. But, so far as the statues are concerned, is that all there is to it? Or, rather, should that be all there is to it? Should they just be melted down or reduced to rubble and consigned to landfill or can they, as fallen idols, be used for progressive purposes (in dialectical jargon, be turned into their opposite)? My inclination would be to use them in an ongoing, symbolic and educative way. Left where they fell (bespattered, disfigured, pissed on….) they would send two clear messages, one to other tyrants, or those so inclined – “This is what awaits you” – the other a message of hope to the oppressed or to those who may become so, and that that hope is to be realized through resistance and rebellion – “It is right to rebel”.

Lenin Falls

In May 1991, following the overthrow of Ethiopian dictator Mengistu Miriam, a large statue of Lenin, the leader of the Russian Revolution, was toppled with enthusiastic crowd support. Lenin is a historical figure I admire, but his revolutionary spirit and acumen has long since been ignored and his figure, actual in the case of statues, ‘expropriated’ or used to prop up fake revolutionary regimes. The statue had to go and had Lenin been around at the time he would have been urging the crowd on.

The Lincolns, the Douglas’, the Churchills, the…

The above examples belong to the obvious/easy to justify category, blatant examples of political propaganda in the service of tyranny. The Confederacy lauding statues belong in the same category – reactionary propaganda pieces erected to support the Jim Crow segregationist laws in the formerly Confederate States, after the Civil War. Politically they are low hanging fruit and if existing authorities in the UK and the US are too laggard to act they effectively invite others to act in their place. But these are not the ones that stir my interest that much precisely because of their being low hanging. It is the ire, the rage (fey or genuine) aroused by statues of Lincoln, Ulysses S Grant et al in the US, Churchill in the UK (or their equivalents anywhere) that is really interesting and which open up possibilities that Brecht’s questioning worker would have approved of.

The thing about any work of art – statues in this case – that either depicts a figure or an event, is what it intends to communicate to the observer. This includes whatever the artist or commissioning body wants to portray or whatever is portrayed in addition to (or in spite of) this. And this can become more clouded, or lost entirely, as time passes, a point not lost on Brecht’s worker. In my ‘farcebook’ post I cited a statue of Winston Churchill as an example. A heroic figure in the war against Fascism, (“… we will fight them on the beaches…we will never surrender.”) certainly. And this is the figure portrayed. The problem with this is not that this aspect is untrue, but that it is one dimensional, it does not portray anything like the “whole truth”, as former slave and abolitionist Frederick Douglass put it, in relation to the Lincoln statue. It is not without reason that the coal miners of Wales and England remembered Churchill with hatred. How does history remember them, or more to the point how does history remember and portray his relationship with the miners specifically and workers generally? Varied answers can be found in libraries and online if one searches, but what about in the public square where he now stands? “History will be kind to me for I intend to write it”, he wrote. And while others have written with a different bent (there has been some very good British historiography written) it is his depiction in the public square that interests me, and in that place Churchill needs the bronzed company of coal miners, of the Welsh Tonypandy ‘rioters’, of the 1926 strikers, of those who had no confidence in Churchill to ‘manage the peace’ after WW2. To treat their histories as separate is to grant Churchill the privilege of writing history and to dismiss and demean the Welsh and English workers by so doing. This is a contemporary example of workers, the ‘not the right kind of chaps’, being written out of history as this relates to the statue’s narrative.

 

The situation in the States is just as, if not more interesting, for there not only are statues valorizing the Confederacy coming down (and about time too) but the Emancipation Memorial in Lincoln Park, Washington is now fenced off from attempts to pull it down. This statue, depicting Lincoln standing beside a former slave, kneeling and with chains broken, was dedicated in 1876 by Frederick Douglass, former slave and abolitionist. Douglass’ view of the statue was extraordinarily astute and prescient. The statue failed to expose what Douglass termed the “whole truth”,  that enslaved men and women had resisted and rebelled, enlisted and taken up arms to fight for their own freedom. A few decades down the track, as revolutions swept through Russia, and  later China, we would call this a failure to identify and focus upon the developing aspect of the contradiction. .

His solution, nearly 150 years ago, was not that the statue needed removing, but that a partially true story needed completion. Archer Alexander, the freed slave who was the model beside Lincoln, needed to be seen having finished what he’d begun, standing as Lincoln’s equal. Nor need he be alone. The depiction in the statue is a moment of synthesis and being such it heralds the opening up of new and higher levels of struggle. Former slaves and activists like Douglass and Charlotte Scott, the woman whose idea it was and whose philanthropy began the campaign for the statue in the first place, are figures who straddle both sides of the emancipatory divide and should be seen standing with Alexander. But so could others who inherited the baton they passed on. Those who immediately come to my mind include Paul Robeson, Langston Hughes, Richard Wright, Rosa Parks, Mohammed Ali, Martin Luther King …. activists and fighters all. All are linked to the Emancipation Memorial and all have thrown into the ring invaluable contributions to an ongoing, emergent “whole truth”.

The “whole truth” involves a mighty big cast  many of whom are lost to us as individuals and who require symbolic representation.and I am aware that, in a numerical sense a single public square or park will have its limits with choices needing to be made no matter one’s political inclinations. But that should be a challenge that excites, not inhibits. …

Truth that aspires to the “Whole Truth”

Frederick Douglass had remarked, in his constructive criticism of the Emancipation Memorial, that no single statue could portray the “whole truth”. The sculptors, participants and supporters of Wrath of the Serfs, a series of 106 life size clay sculptures, completed in 1975, of serf life in Tibet – repression through to rebellion – were clearly reading from the same page when it came to portraying the “whole truth” through sculpture. The works were done by sculptors from the College of Fine Arts of the Central May Seventh Academy of Arts in Peking, a teacher from the Lu Hsun Art College of Shenyang and art workers of Tibet. Their ‘brief’ was to expose the evil of the old Tibetan regime and acclaim the serfs’ heroic struggle. There is a striking parallel here between this acclamation, the focus on the serf’s own role in struggling for liberation and Douglass’ astute criticism of the Liberation Memorial were the role played by slaves in their own liberation is not focussed upon and remains ambiguous (the former slave’s chains are broken, but by whom?).

The figures portrayed in Wrath of the Serfs,  are striking in their dynamism and their fidelity to lived experience. Aside from the skill level of the sculptors the main reason for this can be found in the preparation undertaken prior to the work being done. This “included more than 5,000 kilometres of travel inside Tibet for the purpose of study and investigation. The artists listened to the angy condemnation of past sufferings by a hundred liberated serfs, asked for suggestions from former poor and lower-middle peasants and herdsmen and improved their works on this basis.” There are two things we should note about this. The first is its unremarkableness – of course one would conduct research and were possible speak to those who not only represent the subject matter, but actually were the subject matter, Tibetan serfdom only being formally abolished in 1959. The second is its remarkableness, the fact that for the first time Tibetan serfs were considered important enough to be empathised with, to be listened to, to have their experiences valued and for them to be elevated to play the leading role in the drama of their former lives. Brecht’s hindmost were now the foremost.

Concluding remarks

I have gone to the bother of writing this because there is something simultaneously impressive and disturbing about the current spate of statue toppling. The concluding comments of my facebook post in late June summed this up and I will end this post with remarks I made following Brecht’s Questions From A Worker Who Reads.

So many questions indeed. Statue toppling/defacing on the one hand, and confused cum paralysed responses by authorities on the other. It’s also a reflection of serious historical ignorance, crap politics and an inability to deal with, let alone be aware of contradiction. (BTW, statues of contemporary creeps like Saddam Hussein deserved to be toppled). Churchill was right to say that history is written by the victors and Brecht more right (utterly right, actually) to draw our attention to those ignored, forgotten or deemed unworthy of attention (those he elsewhere referred to as the hindmost).

Spitting the dummy and demanding obliteration is actually the worst option, Talibanesque in fact. It not only removes or wipes clean the historical slate – and whatever else history is, it is never a clean slate – it out does the Churchillian ‘line’ by the proverbial country mile. It does this because every statue or other symbolic representation contains its opposite.

This is the truth that Brecht was getting at. Removal, wiping the slate clean, actually succeeds in doing what even the punciest, most egocentric or reactionary statue fails to do – it totally removes the unacknowledged, the exploited etc. along with the figure being revered. So a better solution needs to be found than ditching everything. I actually like the idea of – using statues as an example – bringing the hidden figures into the open in direct ‘communication’ with, for example, Churchill. The coal miners hated Churchill so their irate and critical presence would help onlookers ask questions. But he was also an important figure in the fight against Fascism and this aspect also needs open acknowledgement, not separately, but together.

Contradictions lead forward. Statues and other symbolic representations need to expose contradictions, not ignore them – or worse, be made unaware of them. We need to ask questions.

 

Dialectics – what is it, what are examples of it?

KM

 

 

I learned from this philosophical discussion of dialectical materialism in 2004 when it was published at the lastsuperpower site, and thus reprint it now for readers’ consideration and comment.

****

Question “The only experience that I have with dialectics is a horrible essay that I had to write at university about Mozart and Beethoven. I’ve never really understood what dialectics means, except that it’s a great word to use when pretending to be intellectual over a cup of coffee. Most other people don’t really seem to understand the concept either, but would prefer not to admit it. I know this as I regularly drop it into conversations and no one has pulled me up on it yet.. see emperor’s new clothes post!”

Dialectics – What is it, what are examples of it?

by Keza 2004

I mentioned in The relation between materialism and idealism topic that materialist philosopher Daniel Dennett doesn’t mention the word dialectics – so in reading Dennett I’ve been looking out for what language he uses when describing concepts that are dialectical.

I’ve found one instance – he uses words like paradoxical to describe the problem and then in detailing his solution says things like, “this is not paradoxical at all”

An example is that Mother Nature / Evolution has no foresight and yet has managed to create humans who have foresight.

• Re: progress and dialectics

Posted by keza at 2004-12-28

The best laid plans of mice and men…. if practically everything that we do results in something not intended then why do we plan, why do we struggle, why do we try to move the world in a certain direction?

When Engels wrote that consciously willed actions often result in quite unintended consequences I think he was disputing the Hegelian idea that history is “the gradual realisation of ideas”. His point was that what happens in history comes about not as a direct result of abstract ideas, wishes, intentions (and so on) but is governed by ‘inner laws’ – ie what is possible (and therefore real and rational) in a given epoch. Movements don’t arise just because someone comes up with a good or bad) idea and manages to convince lots of people to follow them. Movements for change arise out of material conditions – the possibility for change is present and that opportunity is seized. The ideology in which the movement is clothed is (somewhat) secondary.

“The distinction should always be made between the material transformation of the economic conditions of production … and the legal, political, religious, aesthetic or philosophic — in short, ideological — forms in which men become conscious of this conflict and fight it out.”

Marx: Contribution to the Critique of Political Philosophy (1859)

An example is the idea of “equality” in the bourgeois democratic revolution. The idea that “all men are created equal” stood in direct opposition to the feudal belief that all men are most definitely not created equal. The growth of capitalism made it not only possible but also necessary for the idea that rulers are made rather than born to take hold. Thus on a conscious level the motivation for bourgeois revolution was belief in ‘liberty, equality and fraternity’ but at a more fundamental level, the revolution was driven by the necessity to liberate the productive forces from the constraints of feudalism. That reason (or motivation) was only dimly appreciated however.

Friedrich Engels wrote in 1893 that:

“Ideology is a process accomplished by the so-called thinker. Consciously, it is true, but with a false consciousness. The real motive forces impelling him remain unknown to him; otherwise it simply would not be an ideological process. Hence he imagines false or seeming motive forces.

I don’t think this means that bourgeois revolutionaries didn’t really believe in liberty, equality, fraternity – or that the battles they fought weren’t really for these things. We all know (except perhaps for the pseudo left) that as a result of the democratic revolution we have freedoms and rights that were hardly even dreamed of previously. However the ideas themselves weren’t the driving force – these ideas could only take hold because the material conditions were crying out for them (so to speak).

I think what bothers a lot of people is the feeling that perhaps this means that what they as individuals actually do doesn’t really matter – that somehow we are all carried along by a tide of “underlying forces” , that we are seized by ideas rather than seizing them ourselves etc etc. Engels refuted this when he said “freedom is the recognition of necessity” (Anti Duhring?) … once we come to understand “how things work” – “the rules of the game” then we do have a real chance of using our understanding to influence the course of history. Engels’ Letter to Franz Mehring in Berlin is interesting in this respect.”

He starts by pointing out that both he and Marx tended to neglect the role of ideas/ consciousness in bringing about change…

“Marx and I always failed to stress enough in our writings and in regard to which we are all equally guilty. That is to say, we all laid, and were bound to lay, the main emphasis, in the first place, on the derivation of political, juridical and other ideological notions, and of actions arising through the medium of these notions, from basic economic facts. But in so doing we neglected the formal side – the ways and means by which these notions, etc., come about – for the sake of the content. This has given our adversaries a welcome opportunity for misunderstandings and distortions…..”

and later:

“Hanging together with this is the fatuous notion of the ideologists that because we deny an independent historical development to the various ideological spheres which play a part in history we also deny them any effect upon history. The basis of this is the common undialectical conception of cause and effect as rigidly opposite poles, the total disregarding of interaction. These gentlemen often almost deliberately forget that once an historic element has been brought into the world by other, ultimately economic causes, it reacts, can react on its environment and even on the causes that have given rise to it.”

No time to write any more now!! I’ll finish with a quote I quite like though:

“Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly encountered, given and transmitted from the past. The tradition of all dead generations weighs like an Alp on the brains of the living…. “
(Marx: The Eighteenth Brumaire of Louis Napolean)

end Keza

Posted by kerrb at 2004-12-19 01:54 AM

More about the usefulness of dialectics, being a bit more specific about it than in my previous reply to sally.

1) socialist / not socialist dialectic

A few years ago (maybe 20) I went to a debate where someone from the pro-Soviet so called communist party was arguing that the Soviet Union was still a socialist country. This person was so wrapped up in the details and scope of his argument that I could see that no single point could be made in question time that could possibly persuade him that he might be wrong. I wanted to support the case that the Soviet Union wasn’t socialist and so was racking my brains for a question that might get through, if not to the speaker, then at least to the audience.

What I thought of and asked the pro-Soviet speaker was: ” Are there any possible circumstances that might arise in the future which would persuade you that the Soviet Union was no longer socialist?”

To the amusement and bemusement of some of the audience, he replied, “No, the Soviet Union will always be socialist”

2) progressive / reactionary dialectic

I think a similar sort of point can be made to the pseudo-left in connection to the US invasion of Iraq.

In my view it’s pretty straightforward that the US has led a campaign to overthrow the fascist government of Saddam Hussein and is now proceeding to help Iraqis create a democratic government. That has to be progressive.

Because historically US Imperialism has been very reactionary, as exemplified by the Vietnam war and much more, there are now many people in the world who seem incapable of conceptualising that the US could possibly do something progressive. It’s always possible for these people to point to bad things that the US does – there is no shortage of examples.

Maybe part of the problem is that they have an ingrained black and white, non dialectic world view, which implicitly denies the very possibility that the US could do something progressive.

I’m not saying that thinking dialectically is a substitute for studying the details of processes in detail – including the details of what the Soviet Union became historically and the details of what is happening in Iraq and the Middle East. But that having the concept of dialectics (the coexistence of opposites in things) might help prevent falling into the rigid black and white thinking illustrated in the two examples above. If some people can’t even conceptualise that it might be possible for US Imperialism today to do something progressive then no amount of detail is going to change their mind about Iraq. Their thinking is dogmatically stuck at another level to do with their whole world view. I’m arguing that studying dialectics is useful because it helps us keep our minds open to these possibilities.

Here’s a paragraph from Dennett:

“One of the standard (and much needed) correctives issued to those who study evolution is the old line about how natural selection has no foresight at all. It is true, of course. Evolution is the blind watchmaker, and we must never forget it. But we shouldn’t ignore the fact that Mother Nature is well supplied with the wisdom of hindsight. Her motto might well be “If I’m so myopic, how come I’m so rich?” And while Mother Nature is herself lacking in foresight, she has managed to create things – us human beings, preeminently – who do have foresight, and are even beginning to put this foresight to use in guiding and abetting the very processes of natural selection on this planet. I occasionally encounter even quite sophisticated evolutionary theorists who find this paradoxical. How could a process with no foresight invent a process with foresight? One of the main goals of my book “Darwin’s Dangerous Idea” was to show that this is not paradoxical at all. The process of natural selection, slowly and without foresight, invents processes or phenomena that speed up the evolutionary process itself – cranes, not skyhooks in my fanciful terminology – until the souped up evolutionary process finally reaches the point where explorations within the lifetime of individual organisms can affect the underlying slow process of genetic evolution, and even, in some circumstances, usurp it.”
– Freedom Evolves, page 53

So, this illustrates that one can think dialectically without formally studying dialectics or even using the word dialectic. Dennett’s ability to do this would presumedly arise out of his deep study of the science of evolution combined with his materialistic philosophy.

In dialectical language no foresight and foresight would constitute a unity of opposites and in the process of development one can transform into the other. I think this way of looking at it is preferable to Dennet’s apparent paradox that turns out not to be a paradox.

But it’s probably more important to really study the topic deeply (in this case, evolution) than just to be able to spout the magic words. But I also believe that it’s important to study dialectics itself (Mao, Hegel etc.) because this creates an awareness or sensitivity to possibilities of things turning into their opposite that we otherwise might not even notice – it has the potential to make our thinking more fluid and flexible.

end post

Posted by kerrb at 2004-12-19

Dialectics is the co-existence of opposites in everything, nature, mind, society. I’ll explain by reference to something said in The Emperor’s New Clothes thread:

Think of all the people scared to speak in public, or scared to admit how they feel about something, or someone! I know for a fact that my private side is very different from my public face. So in my opinion this is a ‘problem’ that stretches right across the board, it’s not just in intellectual circles. People in general are afraid to speak their minds! Me too, so afraid that I don’t want to post this, but I will anyway.

What you are saying here is full of dialectics IMO. You talk about fear of speaking out and feeling compelled to speak out coexisting in your mind. Both of these opposites co-exist side by side. In some circumstances the fear might be stronger and you don’t speak. In other circumstances the compulsion to speak out might be stronger.

I think it’s fair to say that these opposite tendencies exist in everybody and so we are talking about something that is universal.

So, by contrast, what would be a non dialectical way of looking at this? We might view some people as always speaking out, the sort of people we wish would shut up sometimes. We might view other people as never speaking out, the sort of people that we don’t know what they are thinking. We might form black and white opinions about people with these extreme tendencies and as a result lose our curiosity, for example, not notice that a normally garrulous person has gone quiet in certain circumstances.

But of course there are no people like either of these two extremes. Although some people speak too much and others hardly at all these are just tendencies across the spectrum of possibilities. In reality, the two opposite tendencies coexist within everyone.

I’ve just taken one example of dialectics here from something you wrote in order to explain the idea. But whatever you are thinking about or studying I would argue that you can always conceptualise opposites that coexist within that thing. At the least I think it’s a very handy way to think about things because it can open up new ways of looking at something.

COMMUNISM and INDIVIDUALISM – A TROUBLED RELATIONSHIP

Concluding Tom’s notes…

A) Lenin On the Question of Dialectics

The relationship between the universal and the individual is just that, a relationship. When taken alone – abstracted – the universal is untrue. It is untrue because it is removed from its relationship with the individual, (its opposite) which alone is concrete. It is the relationship between each that gives each its truthfulness, its lived, actual reality.

I am reminded of Hegel’s “If something is abstract it must be untrue…” and how the communist movement has been alot more comfortable dealing or focusing on the universal – the group, class, people, nation than on the concrete – the individual. We have a problem with the individual; but if dialectics has meaning this must indicate that we also have a problem with the universal.

B) Marshall Berman

Berman’s procrustean role description also applies to the Industrial Revolution and to early periods of capitalism generally. Peasants/small farmers and land holders, rural, labourers and artisans were sucked into the factories of the Industrial Revolution and exploited mercilessly. In Dickens ‘Hard Times’ he describes these modern pegs as ‘hands’, an accurate description of that part of the body the bosses valued. Precious little space for the individual to unfold here. That’s the down side and there are clear parallels between this and pre capitalist peg fitting. The up side was seen over generations and caused by the dynamism of capitalism and the space it created for workers to organise, struggle and develop.

Two points re this:

a) the failure of most of the left to see the emergent role of the individual as a good thing; its tendency to praise in a one sided way collectivism and to associate individualism, again one sidedly, with bourgeois ideology.

b) the working class itself has made it clear through its actions and choices that it values individual growth and development and the economic development which facilitates this.

The question for communists is: do we?

Where the traditions and customs of others determine character and conduct of the individual “one of the principal ingredients of happiness” is wanting.

Marx: “liberal economy and politics generate a contradiction between the individuality of each proletarian and the condition of life forced upon him … labour.” And because the capitalist state (liberal or otherwise) reinforced and legitimised that condition, it had to go – be overthrown.

It seems to me that the conflating of that aspect of ‘liberal’ which speaks of freedom in a general political and personal sense with liberal economics (freedom of capital, of property rights and the rights of exploitation) is indicative of a major theoretical weakness and an opportunistic slide toward an authoritarian suppression of individuality. Marx and Engels were revolutionary democrats and communists. They were in the minority all their lives and much of their polemics were aimed not only at the wacky left ideas but at authoritarian ones.

xviii
The defeat of the revolutions of ‘48 generated alot of despair and from this time to the end of the 1950’s, in nearly all arguments between radicals and their opponents, both parties identified the capitalist economy and the liberal state with ‘individualism’ and equated radical aims with “a collectivism that negated individuality.”

I think he is onto something, especially “a collectivism that negated individuality”. The separation, or negation is metaphysical, one sided. Collectivism thus understood will never get anywhere in advanced capitalist societies as it attempts to negate our ‘new fangledness’. It also conflates as per para above.
The group and personal discipline necessary in a party is thus seen as coerced, a top down crushing of individuality rather than a free act from below, of authentic action undertaken by the individuals concerned, in limiting individuality, where this individuality comes into conflict with the cause or the group’s purpose. One can also identify precisely the same dynamic – and duality – in any group endeavour.

The Marxist Archive entry for collectivism is a case in point. It speaks of collectivism transcending or sublating individualism (a collectivism which does not suppress the individualism of bourgeois society). This seems confused. They get collectivism and individuality right historically and in their definition, but the socialist bit clearly gives primacy to collectivism (without individuality being suppressed) and the transcendent, or dialectical leap, only relates to collectivism. Individualism, which remains ‘bourgeois’, or consistent with the individuality that emerged under capitalism, remains unsuppressed but also untransformed. It is as though dialectics has had a senior’s moment and forgotten that individuality too, must transcend its bourgeois limits.

This ambivalence has been characteristic of ostensibly Marxist theory although not of Marx himself. The bods at the Archive clearly understand that individuality is important but are unable to understand it as dynamic.

“Liberation from the standpoint of the bourgeoisie, i.e. competition, was, of course, for the eighteenth century the only possible way of offering the individuals a new career for freer development.” Marx (SW McLellan p186)

The free development of the bourgeoisie destroyed rural communities, threw millions off the land, thereby depriving them of their livelihoods, and forced them into the hands of the bourgeoisie itself. There was nothing pretty or humane about it. Yet, as Christopher Hill shows, it was not entirely, or even principally, negative. It led, among other things, to much greater economic and productive efficiencies, less expensive and more readily available food and better clothing. It also led to the IR, the consequences of which, as O’Flinn positively observed, we are still getting used to twelve generations later.
“…private property can be abolished only on condition of an all round development of individuals, because the existing character of intercourse and productive forces is an all round one, and only individuals that are developing in an all round fashion can appropriate them, i.e. can turn them into free manifestations of their lives.” Ibid p 191

As with spirituality, we have left the field of individuality and authenticity to the right – which is why we find some of their libertarian ideas attractive (presumably this must also apply to the Spiked crew).

This 50+ year old quote from Barry Goldwater is a case in point: “Every man, both for his own individual good and for the good of society, is responsible for his own development. The choices that govern his life are choices he must make: They cannot be made by any other human being, or by a collectivity of human beings.” (The Conscience of a Conservative, 1960). It’s like Nietzsche with a southern twang.

_ _ _ _ _ _ _