Novichok Nerve Gas Attempted Murder

This looks both very serious and very puzzling.

https://en.m.wikipedia.org/wiki/Poisoning_of_Sergei_and_Yulia_Skripal

It is very puzzling because the only possible motive for anyone to use this agent to murder somebody in the UK would be to provoke a crisis in relations between Russia and the West.

The British Prime Minister said:

“Either this was a direct action by the Russian state against our country, or the Russian government lost control of its potentially catastrophically damaging nerve agent and allowed it to get into the hands of others

Both alternatives are possible and both have very serious implications.

But also very serious and very puzzling is the fact that she announced that on Monday 19 March and demanded a response from Russia by midnight on the following day.

Use of nerve gas in an attempt to murder a Russian traitor was suspected immediately following the attack a fortnight earlier, 4 March. There was plenty of time for both British and Russian governments to carefully consider how they would respond.

The British deadline seems intended to provoke the Russian response of demanding that they first be provided with a sample for verification.

Under the relevant international agreements for prohibition and destruction of chemical weapons there are clear procedures for verification by certified laboratories with care taken to preserve the chain of custody of samples for use as evidence of violations. See Section 4, chapter III of the OPCW Blue Book:

Click to access BlueBook.2011.01.pdf

It simply does not make sense that the British government would have set a deadline for response without first providing samples to other laboratories, including the Russians.

France has now joined the US and Germany in a statement of solidarity with the UK that says there is no other plausible explanation than Russian responsibility. But the initial French reaction was to insist on evidence first:

http://www.euronews.com/2018/03/15/france-agrees-with-uk-that-russia-to-blame-for-spy-poison-attack

If, as is plausible, somebody with access to illegal Russian stockpiles did this without authority one would expect the Russian government to try to evade responsibility while being extremely cooperative and anxious to help establish the facts so as to ensure any culprits were found and stopped from seriously damaging Russian as well as other interests.

Instead Russia is churning out the usual stuff from Sputnik and threatening retaliation.

If that is the result of ineptitude on the part of both the British and Russian governments that is not terribly unusual.

But there is the other alternative that the Russians were deliberately testing Western responses. So far those responses are completely inadequate if based on a firm conclusion that the Russian government is either complicit in testing Western responses or unable to control its security personnel who decide to do so without authority.

Book review: The Civil War in the United States: Karl Marx and Friedrich Engels (edited and with an introduction by Andrew Zimmerman) International Publishers, New York, 2nd edition, 2016

civil war book cover

“Labor cannot emancipate itself in the white skin where in the black it is branded”. – Karl Marx, Capital, vol. 1, 1867

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(The following review by Barry York is from the latest edition of ‘Recorder’, the newsletter of the Melbourne Labour History Society. It is published here in its unedited form).

This collection of writings by Marx and Engels about the American Civil War was originally published in 1937 by Dr. H. M. Morais. Dr Morais lost his college teaching job as a result. It’s good that in 2016 it can be published as a second edition without any job losses. Zimmerman, a professor of history in Washington DC, provides very useful introductory contextualisation to each section. There are nine parts in all, from Marx and Engels on slavery and abolition before the civil war through to ‘Slavery and the Civil War in Capital’.

Zimmerman’s introductions are helpful for those of us who need reminding of the significance of the various places, battles, politicians and military figures.

Marx and Engels certainly knew their stuff. Considering they wrote from England, Marx’s knowledge of American geography and topography is astonishing. It’s remarkable to read the extent of their detailed knowledge of the unfolding struggle against the “oligarchy of 300,000 slave holders”. They drew on wide sources of information, including correspondence with German communists who had fled to the United States following the defeat of the 1848 European revolutions and who took up arms for the Union. But they also read the American newspapers, including the New York Tribune. And Engels even communicated with a Confederate major.

This is how it should be, of course. ‘No investigation, no right to speak’. They did not see it through the lens of dogma, or force the events into some formula or ideological schema. Their letters and other writings reveal a materialist dialectical approach, an understanding that things unfolded as they did, influenced by human thought and motored by action, but not as one might wish they should. Revolutions are innovative and experimental, devising their own strategies and defining their own nature.

We must keep in mind that the American Civil War was Marx and Engels’ equivalent of ‘Vietnam’ (for those of us politicized in the 1960s). It was the big issue – “the most momentous thing happening in the world today” – especially for internationalists who see no distinction between ‘them’ and ‘us’. The US struggle against slavery was also a source of inspiration following the dispiriting rise of Bonapartism in Europe.

It was also inspiring for Marx and Engels to witness the great support by the English working classes for the Union forces, at a time when the British ruling class was sympathetic to the Confederacy.

I was surprised by the extent of Engels’ military knowledge. He sure loved guns. Marx, by contrast, comes across as more adept at political and economic analysis. Engels emerges as less optimistic than Marx. But for Marx there was no doubt of Union victory. In a letter to his uncle (yes, he had one), Marx knew that the North had “a last card up its sleeve in the shape of a slave revolution”.

Marx and Engels were great pro-war ‘hawks’. Not for them the ineffective non-violent tactics of naval blockades. They supported and welcomed military invasion of the South.

The edited selection of writings reveal how Marx and Engels saw through the false argument that the emerging war was not about slavery but rather tariffs.

And they contended with the ‘ultra-leftists’ who were highly critical of Lincoln. It took 18 months before Lincoln issued the preliminary Emancipation Proclamation in September 1862, but Marx and Engels recognised him as a strategic thinker who was creating conditions to take his class, the working class, with him against the pre-industrial slave owners.

Lincoln was their ‘Ho Chi Minh’. Marx’s letter to Lincoln on behalf of the International Workingmen’s Association in 1864 can be read here: https://www.marxists.org/archive/marx/iwma/documents/1864/lincoln-letter.htm

Revolutions do not always succeed, they can fail, but they can push things forward. When one fails, you have another. Marx and Engels were very disappointed by Andrew Johnson’s presidency, following Lincoln’s assassination. He restored plantations to ex-slave owners and reversed the planned land reform program. Slavery was abolished but racial and class hierarchies kept in place. It took another century, marked by Jim Crow segregation and lynchings, before the next leap forward in 1965 with the Civil Rights Act.

The faint-hearted should be warned that Marx and Engels sometimes used the term ‘Nigger’. They used it infrequently and ironically, usually.

Of all the great quotes by Marx in this book, one stands out for me: “Labor cannot emancipate itself in the white skin where in the black it is branded”. (Captial, vol. 1, 1867)

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Toronto Museum – An exercise in ‘education’, irritation and Bertolt Brecht

‘We do not want to be depicted in the way we were when we were first discovered in our homeland in North America. We do not want museums to continue to present us as something from the past. We believe we are very, very much here now and we are going to be very important in the future’.

– North American Indigenous exhibit, Toronto Museum

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(by Tom Griffiths)

Recently my wife and I had the opportunity of visiting the Toronto Museum at the invitation of a Toronto based colleague of hers, in order to see a Viking exhibition. Well, historical remnants and explanations thereof – if you want to see the long boats you need to go to the Viking Museum in Oslo. We did not expect this to be able to match the Viking museum, not a fair ask in any case and in this sense our expectations were met.

Before moving on to the purpose of this post, which is not really about the Viking exhibits, two comments about it, both positive, are worth making, especially since they affected my expectations (and disappointments) of what I would be exposed to in the rest of the museum, or rather those parts I visited. And these left me peeved and irritated with Brecht buzzing around my head. But more on this later.

The two positives, while modest in themselves, showed an attempt being made by either the curating bods at Toronto or Oslo to engage the visitor in the life and times of the Vikings. And having vicariously visited Valhalla courtesy of Dirk Gently’s adventures in The Long Dark Tea-Time of The Soul I was ready to be engaged.

The first positive was an obvious attempt by the curators to explain aspects of context, specifically social and economic, that helped shape the Vikings. As one would expect these days particular attention was placed on the place and role of women, making them visible. This aspect painted with a broad brush. The other positive was about fine detail. As one would expect after a thousand odd years many of the exhibits were showing their age and associated brittleness. One, a sword, made decrepit and fragile by rust, was partnered by a reproduction that had been placed in front of it. Above the repro was a sign saying Touch Me. I didn’t need to be asked twice. Briefly, for a fleeting second, I was able to imagine myself there. I will leave it to your imagination to decide whether ‘there’ was somewhere in the former Viking territories or in Valhalla.

While it would be an exaggeration to say that I was buoyed by this experience, it had certainly lodged somewhere in my head as my wife headed off to work leaving me to explore the rest of the museum. At this stage Brecht was, shall I say, keeping a low profile.

Whilst I did not ‘do’ the whole museum I did see three of their substantial exhibitions. In order of my seeing them these were an exhibition of 1stC to 20thC AD Korean sculptures and artifacts, a North American Indigenous section and a series of 16thC to early 20thC bed and sitting room furniture in ‘typical’ domestic settings. A legacy of European style as the Museum put it. Hint: the inverted commas serve as a warning. By the time I had finished Brecht was buzzing furiously.

Leaving Odin, Thor and their Viking worshipers behind I headed off to a Korean exhibition, the focus of which was mythology, mythological figures (the King of Hell, for example), furnishings and residential representations of the wealthy and … I don’t know what the collective noun is for numerous Buddha statues gathered in a small space is – a chill of Buddhas perhaps? – and a chill of Buddhas.

An O.D. of Buddhas- insouciance for all

I entered this exhibition curious but without any specific expectations. I left it Buddha’d out, having been through a Charge of the Light Brigade moment – Buddhas to the right, Buddhas to the left … The benefit of this over dose was it forced me to think and what follows is a distillation of that.

There were several aspects to this, the most immediately obvious being the historical, the retreat inward in the face of powerlessness. Whilst not true in any absolute sense the old boy himself and his many followers were, like the Stoics of ancient Greece and the Brahmin aesthetes, to name but a few, suffering an acute on chronic shortage of places to go with any dissatisfactions or grievances they had with the material world. And more importantly the people generally had even fewer places to go – they had no choice other than to put up with it and figure out ways to survive.

Hobbes’ dystopian description of the primitive world where life outside society was ‘solitary, poor, nasty, brutish, and short’ could also have been applied to the social conditions surrounding Buddha et al because life inside these societies wasn’t much better. From such materially and spiritually impoverished soil, “a heartless world” as Marx put it, sprang both need, “the sigh of the oppressed creature” and solution.

Withdrawing into the inner self was something they could do – and proselytise about – and they did. And yes, I know that proselytising about it is an external act and a defacto, if not intentional, political act but we moderns have Buddha et al at a considerable disadvantage when it comes to passing judgement on the value of what he or others were promoting as solutions to the miseries and injustices of social life.

So what is my gripe about confronting these ‘chilled out’ stone figures? None. As just mentioned, judging those times by today’s values and insights wouldn’t even make the grade as picking low hanging fruit; my gripe with the museum’s display is with how these concrete historical figures have been removed from their actual, material conditions and the human needs these ‘nurtured’ and gave birth to and rendered them abstract.

Museums all around the world, including Toronto, promote themselves as having an educative function. Unlike their Viking display, this was not education, but mystification. The saving grace, if I can put it that way, of the Buddas one can see in temples across South and SouthEast Asia – my favourites are the giant, recumbent Buddhas I’ve seen in Thailand and Sri Lanka, whose eyes peer lazily beyond, looking like they’ve just had a shot of heroin – is that they make no attempt to educate in a rational, secular sense; they are religious figures at places of worship.

There the term education takes on an entirely different meaning, one that is part of a religious faith’s ‘job description’. I disagree with the message but have no gripes with their honesty. I am unable to be so generous with the museum and this connects it with the following.

Another aspect is quite contemporary, a comment on the times. At the dawn of the modern era we see someone like Bacon revolutionizing philosophy by turning it outward, to the objective world of things. He took more than a passing swipe at medieval predecessors and ancient Greek philosophy alike for their looking inward and took a very direct swipe at Plato and Platonism generally: “when you taught us to turn our minds inward and grovel before our own blind and confused idols under the name of contemplative philosophy; then truly you dealt us a mortal injury.”

While not directed against Buddha or what his adherents stood for it could easily have done so. There was a world to conquer. The means to do it were emerging and these means were accompanied by and encouraged a spirit full of confidence and vision. This bullish spirit (or should that be Bolshie spirit?) of the young bourgeois revolution, so admired by Marx, is now in an almost apologetic retreat. Where once a critique of the shortcomings and hypocrisies of this revolution created elbow room for proletarian promise and daring do, there is now among ‘informed opinion’ and the broad spectrum of bourgeois ideology a de energised, timid state characterised by a sense of diminished hope and glumness if not outright funk.

And just when we thought things had reached rock bottom who should step, or rather who is pushed, onto the stage, but Buddha, eyes closed or glazed over telling us to focus on the inner self. Now in whose interest could that sage advice possibly be I wonder?

Tellingly, perhaps, my favourite figure in this section of the museum was the King of Hell, a diabolical little chap who at least displayed a sense of vitality. And here Brecht made his first appearance. As I looked and smiled at the King I was reminded of Brecht’s Mask of Evil: “On my wall hangs a Japanese carving/ The mask of an evil demon, decorated with gold lacquer./ Sympathetically I observe/ The swollen veins on the forehead, indicating/ What a strain it is to be evil.”

As with my little ‘mate’ the King there is tension, there is contradiction, there is life. And thank heavens for that! Or should that be thank hell?
After entering this exhibit with casual interest I found myself relieved to be leaving it and without consulting the museum map soon found myself outside (and then inside) the North American Indigenous Exhibit.

The North American Indigenous section

It may be odd to say this but these exhibits had a certain familiarity courtesy of my childhood and adolescence watching westerns on TV and Saturday arvo matinees. That being said the exhibits were of interest and some attention had been paid (not enough as I was soon to discover) to explanation of context.

Then it happened, an exhibit that not only caught my attention (seized it was more accurate) but made me audibly laugh in surprise and approval. This was the highlight of the museum and demonstrates how the dead and buried can be made to live, for their living descendents to embrace the challenges of modernity without sacrificing their heritage and how easy this transformation can be. But I’m getting a little ahead of myself.

This exhibit was of three native Americans, life size plaster cast figures, two men and a woman, originally installed about 100 years ago. The male figure to my left was squatting and reaching for something with his left hand; in the middle, and standing was the female figure and to her left the second male figure in a semi squatting pose. An unremarkable exhibit of the past and a defeated past at that. Comforting for the victors perhaps, but not so for the vanquished and it was this discomfort (pissed offness is probably more accurate) that transformed what was before me into something exceptional. What I actually saw and what had given the exhibit life and relevance was the male figure to my left reaching for a power drill, the female figure holding a tripod and camera and the remaining figure wired up with a ipod.

After my initial ‘wow’ response my gaze fell to an explanatory note at the base of the trio. It said it all:

‘We do not want to be depicted in the way we were when we were first discovered in our homeland in North America. We do not want museums to continue to present us as something from the past. We believe we are very, very much here now and we are going to be very important in the future’.

European Style through the Ages

I left the Indigenous display in a buoyant mood and soon ended up, in more familiar territory, in the Samuel European Galleries where I was assailed and increasingly irritated by the ‘legacy of European style through the ages’ – the ages here meaning the late middle ages – the birth of the modern period – to the 20thC. I later discovered, courtesy of their website, that during the period covered, “Europe witnessed agricultural, social, economic and industrial innovation that would change how Europeans lived, worked, and viewed with the world around them” and was invited to “examine the influence these changes had through the lens of decorative arts development in central and Western Europe. Walk among period rooms and vignettes, including those of the Renaissance, Baroque, Rococo, Neoclassical, and Victorian periods, and discover the different stylistic signatures of each.”

Now, I need to disclose that I gained this information after my visit and after the irritation I increasingly felt as I walked “among the period rooms and vignettes” conversing in my head with Brecht as I went. Had I had this info with me at the time my irritation would have been greater.

The problem I had was not with what was there but with what was not. The period rooms and vignettes displayed were, not surprisingly, either the “stylistic signatures” of the emergent bourgeoisie (landed or otherwise) or of the decaying aristocracies of Europe. This fails to surprise on two levels. The first is that the display artifacts were made by skilled craftsmen using quality materials and these have a tendency to last and to be handed down across generations. The second is political, or ideological more broadly and ironically sits in the same camp as that identified and rectified by the Indigenous activists referred to above. In much the same way as the common working people – you know, the ones that actually make all the stuff and keep it working – are written out of history, the lens employed at the museum airbrushes them out too. The pity of this is that their signature appears in every single exhibit, but remains unseen and devalued. As I traipsed my way through the centuries, looking at these rooms with their ‘stylistic signatures’ the one signature that emerged as dominant was that of class, of ownership.

On the one hand this is all rather ho hum – what had I expected to see anyway? But on the other, consigning it to the ‘ho hum’ department is itself a problem because it colludes with the obscuring of social relations. The question that kept repeating in my head was ”where are the people?” And I mean all of them – the property owners, the quality sort of chap with his quality sort of wife, their servants (who cooked the meals? who changed the sheets and cleaned? who…?) the craftsmen who had built everything before me. Where were they? And what were their quarters like? where and how did the craftsmen live?

The Indigenous example – the power drill, the camera and the ipod – demonstrated how the past can be made highly pertinent to the present, how the gap between them shrinks and can be traversed. With curatorship guided by curiosity and social awareness and how these are shaped by the times, we can be given the opportunity of asking questions of history. We can tackle, like our indigenous friends, how we can bring these questions into the present and ask ourselves what aspects of this past remain tangled in the present, holding us up and what aspects have opened doors and propelled us forward.

But why Brecht? Why him in my head, needling me? Brecht is one of my favorite poets and the answer lies in one of them, Questions From a Worker Who Reads:

Who built Thebes of the 7 gates ?
In the books you will read the names of kings.
Did the kings haul up the lumps of rock ?
And Babylon, many times demolished,
Who raised it up so many times ?
In what houses of gold glittering Lima did its builders live ?
Where, the evening that the Great Wall of China was finished, did the masons go?
Great Rome is full of triumphal arches.
Who erected them ?
Over whom did the Caesars triumph ?
Had Byzantium, much praised in song, only palaces for its inhabitants ?
Even in fabled Atlantis, the night that the ocean engulfed it,
The drowning still cried out for their slaves.
The young Alexander conquered India.
Was he alone ?
Caesar defeated the Gauls.
Did he not even have a cook with him ?
Philip of Spain wept when his armada went down.
Was he the only one to weep ?
Frederick the 2nd won the 7 Years War.
Who else won it ?
Every page a victory.
Who cooked the feast for the victors ?
Every 10 years a great man.
Who paid the bill ?
So many reports.
So many questions.

 

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Marx Supported Capitalist Globalization

Marx Supported Capitalist Globalization

Thanks to David McMullen

Today’s “Marxists” share with the rest of the pseudo left an opposition to capitalist, indeed any, globalization. This puts them totally at odds with Marx. The following quote from The Communist Manifesto leaves no doubt about Marx’s pro position:

The bourgeoisie has through its exploitation of the world market given a cosmopolitan character to production and consumption in every country. To the great chagrin of Reactionists, it has drawn from under the feet of industry the national ground on which it stood. All old-established national industries have been destroyed or are daily being destroyed. They are dislodged by new industries, whose introduction becomes a life and death question for all civilised nations, by industries that no longer work up indigenous raw material, but raw material drawn from the remotest zones; industries whose products are consumed, not only at home, but in every quarter of the globe. In place of the old wants, satisfied by the production of the country, we find new wants, requiring for their satisfaction the products of distant lands and climes. In place of the old local and national seclusion and self-sufficiency, we have intercourse in every direction, universal inter-dependence of nations. And as in material, so also in intellectual production. The intellectual creations of individual nations become common property. National one-sidedness and narrow-mindedness become more and more impossible, and from the numerous national and local literatures, there arises a world literature.

The bourgeoisie, by the rapid improvement of all instruments of production, by the immensely facilitated means of communication, draws all, even the most barbarian, nations into civilisation. The cheap prices of commodities are the heavy artillery with which it batters down all Chinese walls, with which it forces the barbarians’ intensely obstinate hatred of foreigners to capitulate. It compels all nations, on pain of extinction, to adopt the bourgeois mode of production; it compels them to introduce what it calls civilisation into their midst, i.e., to become bourgeois themselves. In one word, it creates a world after its own image.

Then in a letter to Engels of October 8 1858 he wrote:

The proper task of bourgeois society is the creation of the world market, at least in outline, and of the production based on that market. Since the world is round, the colonisation of California and Australia and the opening up of China and Japan would seem to have completed this process.

In his other writings, Marx supported Europe’s colonial conquests, the “process” that got globalization going.  In his view Europe was the only source of capitalism which in turn was the necessary  precursor of communism. Support for this historical necessity did not prevent him from expressing his disgust at the barbarity and hypocrisy of the Europeans as they went about this conquest nor was he impressed with the tardy pace at which the old societies were being replaced by the new. What he was doing was recognizing that capitalism has a dialectical or contradictory nature. Only capitalism can create the conditions for its own demise. You have to support it in order to oppose it.  In “The British Rule in India” New York Daily News of June 25, 1853, he wrote:

These small stereotype forms of social organism [autonomous villages] have been to the greater part dissolved, and are disappearing, not so much through the brutal interference of the British tax-gatherer and the British soldier, as to the working of English steam and English free trade. Those family-communities were based on domestic industry, in that peculiar combination of hand-weaving, hands-spinning and hand-tilling agriculture which gave them self-supporting power. English interference having placed the spinner in Lancashire and the weaver in Bengal, or sweeping away both Hindoo spinner and weaver, dissolved these small semi-barbarian, semi-civilized communities, by blowing up their economical basis, and thus produced the greatest, and to speak the truth, the only social revolution ever heard of in Asia.

Now, sickening as it must be to human feeling to witness those myriads of industrious patriarchal and inoffensive social organizations disorganized and dissolved into their units, thrown into a sea of woes, and their individual members losing at the same time their ancient form of civilization, and their hereditary means of subsistence, we must not forget that these idyllic village-communities, inoffensive though they may appear, had always been the solid foundation of Oriental despotism, that they restrained the human mind within the smallest possible compass, making it the unresisting tool of superstition, enslaving it beneath traditional rules, depriving it of all grandeur and historical energies. We must not forget the barbarian egotism which, concentrating on some miserable patch of land, had quietly witnessed the ruin of empires, the perpetration of unspeakable cruelties, the massacre of the population of large towns, with no other consideration bestowed upon them than on natural events, itself the helpless prey of any aggressor who deigned to notice it at all. We must not forget that this undignified, stagnatory, and vegetative life, that this passive sort of existence evoked on the other part, in contradistinction, wild, aimless, unbounded forces of destruction and rendered murder itself a religious rite in Hindostan. We must not forget that these little communities were contaminated by distinctions of caste and by slavery, that they subjugated man to external circumstances instead of elevating man the sovereign of circumstances, that they transformed a self-developing social state into never changing natural destiny, and thus brought about a brutalizing worship of nature, exhibiting its degradation in the fact that man, the sovereign of nature, fell down on his knees in adoration of Kanuman, the monkey, and Sabbala, the cow.

England, it is true, in causing a social revolution in Hindostan, was actuated only by the vilest interests, and was stupid in her manner of enforcing them. But that is not the question. The question is, can mankind fulfil its destiny without a fundamental revolution in the social state of Asia? If not, whatever may have been the crimes of England she was the unconscious tool of history in bringing about that revolution.

In “The Future Results of British Rule in India” New York Daily News of August 8, 1853, he wrote:

England has to fulfill a double mission in India: one destructive, the other regenerating – the annihilation of old Asiatic society, and the laying of the material foundation of Western society in Asia.

He expressed a similar view when writing about  Britain’s beastly treatment of China. So that  in “Revolution in China and In Europe”, New York Daily News, June 14, 1853 we read:

It is almost needless to observe that, in the same measure in which opium has obtained the sovereignty over the Chinese, the Emperor and his staff of pedantic mandarins have become dispossessed of their own sovereignty. It would seem as though history had first to make this whole people drunk before it could rouse them out of their hereditary stupidity.

and then:
All these dissolving agencies acting together on the finances, the morals, the industry, and political structure of China, received their full development under the English cannon in 1840, which broke down the authority of the Emperor, and forced the Celestial Empire into contact with the terrestrial world. Complete isolation was the prime condition of the preservation of Old China. That isolation having come to a violent end by the medium of England, dissolution must follow as surely as that of any mummy carefully preserved in a hermetically sealed coffin, whenever it is brought into contact with the open air.

In an article published in the Deutsche-Brüsseler-Zeitung No. 7, January 23, 1848, Engels expressed his delight at America’s victory in the war with Mexico and the conquest of California, Texas and areas in between. In their footnotes the editors at Progress Press in Moscow try to make out that both Engels and Marx later took a different view. They cite an 1861 article by Marx called “The Civil War in North America”. Here Marx mentions how expansionism at the time was driven by the slave owners. Although he makes no actual mention of the Mexican-American War. In hindsight we can see that one good thing about the annexations was that they contributed to the outbreak of the Civil War which the slave-owners went on to lose. Their attempt to spread slavery to the new territories was the last straw.  And we can now say without fear of contradiction that capitalist development greatly benefited from the switch in sovereignty. Here is a link to the 1861 article. It is no use on the Mexican-American War but it is a very illuminating exposition of the expansionist threat posed by the slave states and a very good argument against British “neutrality”.

Marx was quite unsupportive of rebellions by reactionary or backward elements in colonial societies. These included the Taiping Rebellion in China and the Indian Mutiny.

In “Chinese Affairs” Die Presse, No. 185, July 7, 1862, Marx has nothing positive to say about the Taiping Rebellion that rocked southern China from 1850 to 1864:

They have no slogans. They are an even greater abomination for the masses of the people than for the old rulers. They seem to have no other vocation than, as opposed to conservative stagnation, to produce destruction in grotesquely detestable forms, destruction without any nucleus of new construction.

“Marxists” have tried to tell a different tale. Over at The Marx and Engels Internet Archive they have a section entitled  Articles on China 1853 – 1860.  It has other articles that deal with rebellion but not the  Die Presse article for copyright reasons. In their introduction they paint the Taiping in glowing colors:

At the same time, the Taiping rebellion broke out in 1850 and attacked the status quo Confucianist Manchu Dynasty — which had ruled since 1644. The rebellion was based in social revolutionary ideas of equality and was popular among the masses. It abolished private property, established sexual equality, and banned drugs (from alcohol to opium). By 1853, it dominated much of SE China. It would not be until 1864 that the Taiping capital of Nanking was captured by the imperial Manchu government.

Progress Press also have this rather gratuitous footnote in Volume I of Capital:

 In 1850-64, China was swept by an anti-feudal liberation movement in the form of a large-scale peasant war, the Taiping Revolt.

The fairly uncontroversial Wikipedia entry on the Taiping Rebellion gives a far less flattering picture.

There is also an attempt to paint the Indian Mutiny as a national liberation movement. The Soviet  Foreign Languages Publishing House in 1959 brought out a collection of articles by Marx on the Indian Mutiny entitled The First Indian War of Independence, 1857-1859. Also the The Marx and Engels Internet Archive has a web page entitled The First Indian War of Independence (1857-1858)  
Marx does not explicitly repudiate the Mutiny in the way that he did in the case of the Taiping Rebellion. However, the total absence of any explicit statement of support is just as telling. He is very concerned to expose British military incompetence and brutality. He is also pleased by the financial and political strain it is placing on Britain.  But that is as far as it goes. It is hard to imagine him supporting a pack of princes who wanted to reinstate the Mogul empire after what we know about his view on the role of the British in India.

The editors of Progress Press were also embarrassed by an article by Engels called “French Rule in Algeria” (The Northern Star January 22 1848). Here he wrote:

Upon the whole it is, in our opinion, very fortunate that the Arabian chief has been taken. The struggle of the Bedouins was a hopeless one, and though the manner in which brutal soldiers, like Bugeaud, have carried on the war is highly blameable, the conquest of Algeria is an important and fortunate fact for the progress of civilisation. The piracies of the Barbaresque states, never interfered with by the English government as long as they did not disturb their ships, could not be put down but by the conquest of one of these states. And the conquest of Algeria has already forced the Beys of Tunis and Tripoli, and even the Emperor of Morocco, to enter upon the road of civilisation. They were obliged to find other employment for their people than piracy, and other means of filling their exchequer than tributes paid to them by the smaller states of Europe. And if we may regret that the liberty of the Bedouins of the desert has been destroyed, we must not forget that these same Bedouins were a nation of robbers,—whose principal means of living consisted of making excursions either upon each other, or upon the settled villagers, taking what they found, slaughtering all those who resisted, and selling the remaining prisoners as slaves. All these nations of free barbarians look very proud, noble and glorious at a distance, but only come near them and you will find that they, as well as the more civilised nations, are ruled by the lust of gain, and only employ ruder and more cruel means. And after all, the modern bourgeois, with civilisation, industry, order, and at least relative enlightenment following him, is preferable to the feudal lord or to the marauding robber, with the barbarian state of society to which they belong.

Progress Press in its footnotes refers to this resistance as a liberation struggle. They also then claim that in an 1844 article Engels had made commendable noises about the resistance and that an article “Algeria” written for the New American Encyclopaedia in 1857 reverses the position expressed in the 1848 article. There is nothing in either article that can be construed in this way. An editor’s footnote to the latter article claims that the relevant material was left out by the encylcopaedia editors and this is conformed by a letter from Engels to Marx on 22 September 1857. The letter shows nothing of the sort. The reader is invited to read those three  pieces to make up their own mind.

These views of Marx are not at odds with support by communists for the 20th century anti-colonial movement. By that stage the movement was primarily lead by western educated elements who sought to modernize their countries rather than take them backwards.  Although there were some oddities such as Mahatma Gandhi, and  independence brought many monsters like Idi Amin in Uganda and Mobutu in Zaire, and the whole process was badly affected by the Cold War.

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